The Art of Getting Lost
These landscapes are produced using the 19th Century Cyanotype and Gum Bichromate printing processes. I savor the tactile pleasures of making art by hand: building images with multiple layers of brush-applied emulsions. I believe that certain works of art created by a human touch may contain a resonance of that touch: a discernible, lingering aura.
Each print starts as a sheet of watercolor paper, coated by hand with a layer of Cyanotype emulsion. The paper is contact printed with a full size negative and exposed in sunlight for several minutes. After development, an image appears in rich Prussian Blue. The print is then coated with a layer of Gum Bichromate solution (containing green gouache pigment) and contact printed in sunlight. This second exposure rests in register on top of the blue image and the print takes on natural tones of greens. A third exposure is made in brown pigment and now reveals a landscape containing warm, natural tones of wood. A final exposure is made in black, deepening just the shadows of the scene. Four exposures are made over several days to produce these handmade prints. The resulting artwork is very archival, comprised of permanent Winsor Newton gouache pigment printed on watercolor paper.